Temporal Techniques of Evasion and Deception in Mozart’s Don Giovanni (2011)
University at Buffalo
Erik Satie and the Anti-Exotic in Croquis et Agaceries d’un Gros Bonhomme en Bois (2011)
University at Buffalo
Entr’acte and a Funeral for the Background: A Schenkerian Reading of Relâche (2011)
University at Buffalo
A Dualist Approach to Voice Leading in Brahms, Op. 119, no. 2 (2010)
f(Music) Mini-Conference, University at Buffalo
Alfred Lorenz » (2010)
Wikipedia article
Public and Private Spaces in the Third Movement of Mahler’s Second Symphony (2009)
University at Buffalo
An Audio-Visual Approach to Satie’s Sports et Divertissements (2008)
Master’s Thesis, University of Wisconsin-Madison
Also: Midwest Graduate Music Consortium 2009 conference, Northwestern University
An Essay on the Origin of Languages, a Book on Opera and Drama, and the Language of the Future: Rousseau and Wagner on the topic of Music and Language (2006)
University of Wisconsin-Madison
The Post-Tonal Accordion: How Berio’s Sequenza XIII (chanson) can be considered as being structured by the accordion itself (2005)
University of Wisconsin-Madison
Form in the choral response of Mode 3 Graduals (2004)
University of Wisconsin-Madison
Chord and Interval Symbols; Tonicity and Phonicity (2010)
Excerpt from: Arthur von Oettingen, Das Duale Harmoniesystem
University at Buffalo
Friedrich Erhard Niedt » (2010)
English translation of the German Wikipedia article
Wikipedia article
